Visual Diary v.2
Monday, 21 May 2012
Visual titles and comments
I saw Taryn Simon's work at Tate Mod last year. In her work A Living Man Declared Dead and other Chapters displays of faces were juxtapositioned with photographs of other objects that related to the people in the portraits in one way or another. The function of these comments becomes similar to that of a title.
Sunday, 20 May 2012
Photographing film
Schapiron and the way that we normally encounter a strip of film stills |
In a resent visit to Stockholm I went to Fotografiska museet. I saw the work of Steve Schapiron, he was the American photographer who worked alongside the moving image camera men at Taxi-driver and Godfather sets to take stills of the action. These stills are now celebrated within the moving image world as a still image photographer Schapiron could capture the atmosphere and the action from a different angle then the moving image camera, he could hover just outside the mise on scene to capture an in-between of reality and stage. Also possible because of the notion of photography as an honest and truth-telling medium in contrast to film as a fictional one.
a dossier new english definition
Dossier, I relate it to some sort of collection of body fluids slightly spiced up with a few breadcrumbs and other forms of fluff wiped up from the bathroom floor and the bit where the mattress sits on the bed-frame and the balls of black often collected on the base of the hairbrush pins. Basically a jar with a collection of human residue from the last few moths. A bit like the skin that a snake sheds as it goes from small to larger.
Saturday, 19 May 2012
The mother
Melanie Manchot |
My mother and my mother's mother |
Melanie Manchot visited on last weeks guest lecture program and I
thoroughly enjoyed watching her talk again. She showed some of her
earlier work and I am fascinated about how open she is on her talks. As a
contrast to the Otolith Group who's work is currently shown at Fabrica and they seem a lot more reserved and private.
Manchot showed
images that she took of her mother and I remembered hearing Ester Teichman talk
about taking nude picture of her mother. I am wondering what those two
projects have i common, if anything. What does the mother represent and
how can that be shown in photographs? Melanie put her mother in the
foreground of sublime landscapes while Esther Teichmann had her mother
pose in-front of backdrops.
Ester Teichmann |
A mirror with an incling
Photography, a present without a future
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